A guy walks into the doctor's office and says, "Doc, I haven't had a bowel movement in a week!" The doctor gives him a prescription for a mild laxative and tells him,

"If it doesn't work, let me know."

A week later the guy is back: "Doc, still no movement!"

The doctor says, "Hmm, guess you need something stronger," and prescribes a powerful laxative.

Still another week later the poor guy is back: "Doc, STILL nothing!"

The doctor, worried, says, "We'd better get some more information about you to try to figure out what's going on. What do you do for a living?"

"I'm a musician."

The doctor looks up and says, "Well, that's it! Here's $10.00. Go get something to eat!"

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A community orchestra was plagued by attendance problems. Several musicians were absent at each rehearsal. As a matter of fact, every player in the orchestra had missed several rehearsals, except for one very faithful oboe player. Finally, as the dress rehearsal drew to a close, the conductor took a moment to thank the oboist for her faithful attendance. She, of course, humbly responded "It's the least I could do, since I won't be at the performance."

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Saint Peter is checking ID's at the Pearly Gates, and first comes a Texan. "Tell me, what have you done in life?" says St. Peter.

The Texan says, "Well, I struck oil, so I became rich, but I didn't sit on my laurels--I divided all my money among my entire family in my will, so our descendants are all set for about three generations."

St. Peter says, "That's quite something. Come on in. Next!"

The second guy in line has been listening, so he says, "I struck it big in the stock market, but I didn't selfishly just provide for my own like that Texan guy. I donated five million to Save the Children."

"Wonderful!" says Saint Peter. "Come in. Who's next?"

The third guy has been listening, and says timidly with a downcast look, "Well, I only made five thousand dollars in my entire lifetime."

"Heavens!" says St. Peter. "What instrument did you play?"

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A guy walks into a pet store wanting a parrot. The store clerk shows him two beautiful ones out on the floor. "This one's $5,000 and the other is $10,000." the clerk said.

"Wow! What does the $5,000 one do?"

"This parrot can sing every aria Mozart ever wrote."

"And the other?" said the customer.

"This one can sing Wagner's entire Ring cycle. There's another one in the back room for $30,000."

"Holy moly! What does that one do?"

"Nothing that I can tell, but the other two parrots call him 'Maestro'."

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Once upon a time, there was a blind rabbit and blind snake, both living in the same neighborhood. One beautiful day, the blind rabbit was hopping happily down the path toward his home, when he bumped into someone. Apologizing profusely he explained, "I am blind, and didn't see you there."

"Perfectly all right," said the snake, "because I am blind, too, and did not see to step out of your way."

A conversation followed, gradually becoming more intimate, and finally the snake said, "This is the best conversation I have had with anyone for a long time. Would you mind if I felt you to see what you are like?"

"Why, no," said the rabbit. "Go right ahead."

So the snake wrapped himself around the rabbit and shuffled and snuggled his coils, and said, "MMMM! You're soft and warm and fuzzy and cuddly...and those ears! You must be a rabbit."

"Why, that's right!" said the rabbit. "May I feel you?"

"Go right ahead." said the snake, stretching himself out full length on the path.

The rabbit began to stroke the snake's body with his paws, then drew back in disgust. "Yuck!" he said. "You're cold...and slimy... you must be a conductor!"

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A musician arrived at the pearly gates.

"What did you do when you were alive?" asked St. Peter.

"I was the principal trombone player of the London Symphony Orchestra"

"Excellent! We have a vacancy in our celestial symphony orchestra for a trombonist. Why don't you turn up at the next rehearsal."

So, when the time for the next rehearsal arrived our friend turned up with his heavenly trombone [ sic]. As he took his seat God moved, in a mysterious way, to the podium and tapped his batton to bring the players to attention. Our friend turned to the angelic second trombonist (!) and whispered, "So, what's God like as a conductor?"

"Oh, he's O.K. most of the time, but occasionally he thinks he's von Karajan."

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A musician calls the symphony office to talk to the conductor. "I'm sorry,he's dead," comes the reply.

The musician calls back 25 times, always getting the same reply from the receptionist. At last she asks him why he keeps calling. "I just like to hear you say it."

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Tom: "Hey, Buddy. How late does the bagpipe band play?"
Buddy: "Oh, about a half beat behind the drummer."
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Q: What's the difference between a Scotsman and a Rolling Stone?
A: A Rolling Stone says "hey you, get off of my cloud!", while a Scotsman says

"Hey McLeod, get off of my ewe!"
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Q. How can you tell if a bagpipe is out of tune?
A. Someone is blowing into it.
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Q. Why is a bagpipe like a Scud missile?
A. Both are offensive and inaccurate.

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This must be heaven

So this trumpet player dies. When he reaches is everlasting reward, the guy in the robe says, "You're going to spend eternity with this combo, okay? There's a bass player named 'Mingus' and a pianist named 'Monk', and any day now we expect this 'Blakey' guy to show up with his drums.

"Wow!" the guy says, "I never imagined heaven would be this good."

The man in the robe says, "This is hell, not heaven. There's a girl singer."

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A Choristers' Guide To Keeping Conductors In Line

The basic training of every singer should, of course, include myriad types of practical and theoretical emphases. One important area which is often neglected, however, is the art of one-upmanship. The following rules are intended as guides to the development of habits which will promote the proper type of relationship between singer and conductor.

1. Never be satisfied with the starting pitch. If the conductor uses a pitch-pipe, make known your preference for pitches from the piano and vice-versa.

2. Complain about the temperature of the rehearsal room, the lighting, crowded space, and of a draft. It's best to do this when the conductor is under pressure.

3. Bury your head in the music just before cues.

4. Ask for a re-audition or seating change. Ask often. Give the impression you're about to quit. Let the conductor know you're there as a personal favour.

5. Loudly clear your throat during pauses (tenors are trained to do this from birth). Quiet instrumental interludes are a good chance to blow your nose.

6. Long after a passage has gone by, ask the conductor if your C# was in tune. This is especially effective if you had no C# or were not singing at the time.

7. At dramatic moments in the music (which the conductor is emoting), be busy marking your music so that the climaxes will sound empty and disappointing.

8. Wait until well into a rehearsal before letting the conductor know that you don't have the music.

9. Look at your watch frequently. Shake it in disbelief occasionally.

10. When possible, sing your part either an octave above or below what is written. This is excellent ear-training for the conductor. If he hears the pitch, deny it vehemently and claim that it must have been the combination tone.

11. Tell the conductor, "I can't find the beat." Conductors are always sensitive about their "stick technique" so challenge it frequently.

12. If you are singing in a language with which the conductor is the least bit unfamiliar, ask her as many questions as possible about the meaning of individual words. If this fails, ask her about the pronunciation of the most difficult words. Occasionally, say the word twice and ask her preference, making certain to say it exactly the same both times. If she remarks on their similarity, give her a look of utter disdain and mumble under your breath about the "subtleties of inflection".

13. Ask the conductor if he has listened to the von Karajan recording of the piece. Imply that he could learn a thing or two from it. Also good: ask, "Is this the first time you've conducted this piece?"

14. If your articulation differs from that of others singing the same phrase, stick to your guns. Do not ask the conductor which is correct until backstage just before the concert.

15. Find an excuse to leave the rehearsal about 15 minutes early so that others will become restless and start to fidget.

Make every effort to take the attention away from the podium and put it on you, where it belongs!

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The amazing conductor

When a young hotshot conductor was making his debut at the Met, he showed the jaded and skeptical orchestra how well he knew the music by singing all parts of the Lucia sextet during rehearsal.

Afterwards, one musician was overheard whispering to the other, impressed, "Well, this kid really knows his stuff!"

The other replied, "I don't think he is so hot. Did you notice how flat his high E was at the end?"

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Arriving at Heaven

A soprano died and went to Heaven. St. Peter stopped her at the gate asking, "Well, how many false notes did you sing in your life?"

The soprano answers, "Three."

"Three times, fellows!" says Pete, and along comes an angel and sticks the soprano three times with a needle.

"Ow! What was that for?" asks the soprano.

Pete explains, "Here in heaven, we stick you once for each false note you've sung down on Earth."

"Oh," says the soprano, and is just about to step through the gates when she suddenly hears a horrible screaming from behind a door. "Oh my goodness, what is that?" asks the soprano, horrified.

"Oh," says Pete, "that's a tenor we got some time back. He's just about to start his third week in the sewing machine."

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Operas that never made it